Full chess set being dropped on the board, close perspective. Recordist peter brucker / recorded 4/16/2018 / condenser microphone / edited in logic pro x / created by layering several drops together.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
This series is about transition sfx, this is stacked sound effects made with xsynth,dex and amsynth, randomized in carla and layered with cymbal samples i recorded a long time ago.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
No layering of bird songs, single track recording; 30 seconds recorded with sm58 mono, cleaned up bottom and mids, lowered some frequencies to clean further, 16 bit, 44. 1 mhz, boosted to approximately -24 lufs.
Six footsteps on grass with hiking boots. Each footstep is split by ~250 ms of silence. I layered a thud sound and me moving grass to make it. Recorded with a h4n 06/06/2020. Edited in audacity.
A close recording of me splashing about very gently in a basin of water. You can hear bubbles forming on the surface. Some birdsong and road noise in the background (but edited to remove the worst). Used as a layer for a dock ambience. Recorded with an akg c414 into a focusrite saffire pro 40.
Steps on a thick layer of fallen oak leaves. Two people walk side by side in an oak forest in burgos, northern spain. Hello autumn. Recorded with sony pcm-d50.
A 90s trance / chillout vowel pad. Several layers recorded from various vst synths stacked, resanpled and seasoned in the sampler. No hardware involved and all materials are neither vintage nor rare ;-).
Bird singing and insects hissing in one part of the big singapore botanic gardens. Recorded with an iphone 6 internal mic so it's more for a background ambiance than a first layer sound.
Cut up recording of moving a box of glass jars. Hardware used: zoom h5, rode nt-5software used: ocenaudio, reaper + plugins. Might be useful as a building block for layering or some sample-based synthesis.
Layered car crash sound effect. Created using a noise box (quality street) filled with grit, broken glass and other bits and bobs. Also used a recording of a metal filing cabinet being hit for that metallic impact. 24bit 48 khz stereo.
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
Inflation of nos balloon recorded on wide diaphragm condenser, with acoustic dampening around the mic but not in studio conditions - should be pretty cool for a non synthy noise sweep, or for a snare layer.
This was recorded on a poor on laptop microphone, and was supposed to be an applause track, but the microphone quality and the fact that we layered ten clapping noises all over each other combined to make this.
A distorted arpeggio with sharp release and long sustain used as a background layer for an a-ha moment in a film. Used a roland groovebox self-record utility straight to wav, which is pretty good, though it results in quieter high frequencies.
Closeup recording of ice cubes being dropped into a small glass and then rattled around. Could sound cool layered with other rattling sounds, and could maybe pass for other objects being dropped and rattled. Recorded with a roland r-26 recorder and tidied up in pro tools.
This is a sample of howling wind created in logic pro x using a few of choruses, flangers and fm synthesis. It isn’t the most realistic recreation of wind, but i think it’s a great layer to put under actual wind recordings. This is also suitable for horror:esc sounds.
